By Uffe K. Wiil
This publication constitutes the completely refereed post-proceedings of the overseas desktop song Modeling and Retrieval Symposium, CMMR 2003, held in Montpellier, France, in may well 2003.
The 20 revised complete papers have been conscientiously chosen in the course of rounds of reviewing and development. because of the interdisciplinary nature of the realm, the papers deal with a large number of issues together with details retrieval, programming, human-computer interplay, electronic libraries, hypermedia, synthetic intelligence, acoustics, sign processing, etc. The ebook comes with a CD-ROM featuring supplementary fabric for the papers included.
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Additional resources for Computer music modeling and retrieval: International Symposium, CMMR 2003, Montpellier, France, May 26-27, 2003: revised papers
They accept or reject each of the models one by one, thereby guiding the investigator in the development of new proposals. When one of the hypotheses is refused, the computer system allows for segmenting of the melodic contour in order to precisely locate The Study of Musical Scales in Central Africa 39 the error and to more precisely check with the musicians regarding the reason for their refusal. The multi-track recording system offers the possibility of listening to the parts either in isolation or in polyphony; according to the musicians’ suggestions, corrections can thus be made partially to one of the parts of the polyphony or may be applied to all of the parts present.
Content indexes are musical features extracted from the source material in preprocessing phase. Furthermore, in this phase all the source material is analyzed for the automatic inclusion into the information system. The results are then included into a description XML ﬁle that works as an umbrella for the entire source ﬁles. Other projects having similar data source like VARIATIONS project  at Indiana University and Online Music Recognition and Searching (OMRAS) project  addresses the need to represent symbolic information.
3 Performance Performance category embraces sub-symbolic formats such as MIDI ﬁles, Csound or SASL/SAOL (MPEG4). These formats can be seen as hybrid because they contain neither score nor pure audio information. They essentially encode information of what to play and how the sounds must be created. 4 XML The main concepts of our structuring approach are layer-subdivision of musical information and space-time constructs (see ). Each layer models a diﬀerent degree of abstraction of music information.
Computer music modeling and retrieval: International Symposium, CMMR 2003, Montpellier, France, May 26-27, 2003: revised papers by Uffe K. Wiil