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Ad agencies often use them to pitch to potential clients. Before an inch of film is shot or a dab of paint added to an animation cel, the client can see clearly how the piece will look, and make changes accordingly. uk 1 Copy the Animating Sketches folder from the cover CD to your computer. aep file. psd, selecting Composition from the Import As drop-down list. This imports the file with the layers intact. Double-click on Walk Sketch comp1 to open it on the timeline. Make the composition 50 frames long, at 25fps (Composition>Composition Settings).

February 2005 | 43 FEATURE PHOTOSHOP • ILLUSTRATOR 19 For this image, the next section to spray is the blue of the jeans, as this goes over the first stencil to create extra colour. The black of the trouser detail becomes covered in blue to create a darker shade. The cap base also uses the same colour. 23 Using the same techniques, you can easily create a background for your image – as seen in the main illustration on page 40. This is a collage of photographed stencils and graphics. We used elements such as fir trees and log trucks to help stick with the lumberjack theme.

4 Now create a new document in Illustrator. The file size for this tutorial is 235x290mm. Import the image of the lumberjack by choosing File>Place and then navigate to the image. Once you’ve selected it, choose Object>Lock>Selection. com TEAM LinG - Live, Informative, Non-cost and Genuine! February 2005 | 41 FEATURE PHOTOSHOP • ILLUSTRATOR 9 You should now have up to six layers: one for each colour of the illustration and one for the photograph, which you can now delete. You may need to re-order them by dragging and moving each layer in the Layers palette into the sequence in which they will be sprayed.

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Computer Arts (February 2005)

by Mark

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